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DJ Decryption: Tha Blog

Boredom is a choice - September 1, 2009

Growing up, I always experienced a curious phenomenon - I was never bored. My friends often complained, "I don't have anything to do" or "I don't feel like doing anything". I didn't understand how this could happen. Fueled by a large supply of books and the only-child-survival-strategy of endless self-entertainment, I always found myself creating imaginative scenarios (usually based around some computer game) in which I was a protagonist equipped with absurd amounts of (usually technologically suspect) weaponry. I gave up computer games when I turned 18 to focus on music, but I never lost the imaginative sense of creativity.

In "Open Curtain" from Soulfire, I say "Boredom is a choice" - a statement I definitely believe, but I heard an interesting twist on this idea while listening to motivational guru Tony Robbins recently. Tony suggested that if you don't put an emotional concept into your language use, it doesn't exist. Think about that for a moment. If you never say "I'm bored" (even to yourself), then you're never bored. After thinking about this, I found myself agreeing. We have feelings which are very nebulous... they're just sensations until we give them meaning. For example, when someone is disagreeing with me, I can feel my anxiety level rise and my heart rate quicken. But that doesn't inherently mean anything. I choose how I want to channel that feeling. I can choose to be angry, or frustrated, or hurt, or amused, or even powerful. I can use their disagreement to show them something they may not have considered, or I can use it as a learning experience to discover a new perspective for myself.

This is the reason I have never been bored in my life. Whenever I felt what people normally call boredom (a state of inaction), I either use that as motivation to go and accomplish something, or I'll take that moment to quietly reflect and rest. My interpretation of that state of being is what makes it my reality. If you say, "I'm bored", you're making yourself a victim. No one is entertaining you; no one is engaging you. But instead, if you take ownership of your time and activity, you'll see that these moments are the best opportunities you're given! You're in control! You get to decide what you want to do! Think of how often we have to do things that other people want us to do. How rare is it when we can determine our own actions and plans! So the next time you're feeling inactive, think to yourself, "if I could do anything in the world right now, what would it be?" Now start doing it in your mind. Notice how you feel, how your body responds. Now put together a plan to do that activity. You've just turned "boredom" into the thing you most wanted to do in your entire life.

Peace,
DJ Decryption

Ana Free - Keep On Walking (Free Download) - July 10, 2009

Greetings Kinfolk,

A quick update with some exciting Ana Free news! You can now watch Ana's first official music video below:

KOW Cover art_resized You can also download the single, "Keep On Walking" free here:
Download Ana Free's new song "Keep On Walking" (256kbps)
SI Cover Art_resized Finally, you can find her other new single "Self Inflicted" on iTunes at http://www.itunes.com/anafree
Here's a cool AF Facebook Fan page application:
Ana Free on Facebook
More photos and magic coming soon! Hope you're all having a great summer!

Peace,
Decrypt

A bit of Free Music - June 16, 2009


Here's a summer jam that Ana Free and I did - you can download the studio version of the song for free here (it's part of a Portuguese wine company campaign called "Fresh Faces of Portugal" that features Ana). Hope you enjoy!

Peace,
Decrypt

DJ Decryption - Soulfire is now Free! - June 6, 2009

Greetings Kinfolk,


I have an announcement for you.  After much consideration, I've decided to make the full Soulfire album available for free download.  You can get it here if you didn't already peep the link on the homepage. 


Why set Soulfire free?  Well, it's not because I've recouped my investment on it... I'm still about $750 in the hole from the mixing/mastering/manufacturing process.  But after a lot of soul searching, I realized it was more important for me that I share this music with people than make money from it.  After receiving emails from people whose lives had been touched or changed by the music, I decided that I didn't want that impact to be limited to those people who could afford to buy a CD. 


Continuing with this idea, I've also been giving my album to kids who participate in the hip-hop education projects I run.  Recently, I've been doing a series of beatbox workshops where I bring a professional mobile recording studio into a school, spend the morning teaching students how to beatbox, and in the afternoon they pair up and record their own song for an album, which I mix, master, and manufacture for them.  It's amazing to watch students, many with behavioral or learning disabilities, jump enthusiastically into these projects.  It's a skill (and a musical instrument!) that they now possess, and their creativity expands every day as they re-create songs and sounds from their environment. 


The best part about the workshops is that the students also learn transferable skills, though this is not necessarily explained to them at the time.  They learn music theory, public performance technique, group communication and listening skills, and hip-hop history.  Part of the workshop is spent critically reading hip-hop texts and images, as well as discussing the potential to combine the students' passions with their academics.  I often find that students say "if school were more like this every day, we'd love coming here!"  What I try to explain to them is that they can make school like this every day. They can write about a topic that they love, be it sports, music, or anything else.  They can become broadcasters, presenters, or writers if they improve their public presentation and composition skills.  There are so many opportunities for students who really invest in their education, and it's so hard to see so many students beaten down by the expectation that school will be boring drudgery until they graduate and get a boring job.  Once school becomes something that incorporates their passions, they no longer feel as much of a separation between the fun (i.e. rebellious) part of their life and their academic career.  Obviously this approach has its limits, but that spark of motivation and relation to students' lives makes such a profound impact on their future.  If all it takes is making that connection, isn't it worth a shot? 


If you're interesting in reading more about incorporating hip-hop into educational approaches, check out Marc Lamont Hill's Beats, Rhymes, and Classroom Life.


Thanks to everyone for your support and love along this journey - it means so much to me when I hear from people who have benefited from the kind of personal and musical empowerment that I attempt to share with the world. You and the students in your lives are the reason I keep doing what I'm doing!


To conclude, I'll leave you with a quote from Soulfire:


Life is a grind, and the grind takes time
But in the end we discover that the struggle's divine
So keep your nose to the stone through the thick and thin
And when you look inside, find the beauty within

"The Beauty Within" - DJ Decryption


 

Eagles - May 25, 2009

New Ana Free video!


A quick summary of everything else, in arbitrary order:

RIP Adam "Knight" Whetstone - you lived it up.

More Soulfire / Ana Free updates coming shortly.

Thanks to Ana, I now really like the Eagles.

New Asher Roth album is phenomenal.

New Eminem album is self-indulgent and uninspired.

I'm psyched for the Global Youth Conference in October... we're going to have a fantastic line-up of Gabriel Teodros, The Rebel Cell (Baba Brinkman and Dizraeli), and DAM (awesome Palestinian rap group). Also some phenomenal authors (such as Gautam Malkani, author of Londonstani) and scholars!

More research updates coming your way as well. Hang in there for the next installment!

Peace,
DJ Decryption

Ana Free Updates! - April 20, 2009

Behind the Scenes with Ana Free (March 2009):


New Ana Free cover song (Second Chance by Shinedown):


We upgraded the audio recording quality on this one, so hopefully everything sounds clearer/fuller/more balanced!

Crazy studio week coming up - major song launching coming soon! We finished filming the music video for Keep On Walking (a forthcoming single), and we're getting ready to release Playgrounds and Kisses at the beginning of May.

Hope you're staying Spring fresh - catch you soon!

Peace,
DJ Decryption

WhiteBoys vs. Malibu's Most Wanted - April 4, 2009

Greetings kinfolk!

A long awaited update will follow soon, but in the meantime, I wanted to do a brief commentary on a couple of films I was watching for my hip-hop research.

Whiteboys is a 1999 film about 3 white wannabe gangstas from Iowa, led by Flip Dogg, a hopelessly aspirational white rapper who mercilessly portrays the most reductive gangsta rap stereotypes possible. Most of the film consists of him acting like a gang leader and gratuitously using the n word in every scene. Flip's sole black friend is Khalid, a law school bound, respectful, and generally "normal" middle class kid. The rest of the film consists of a drug deal gone bad, some seriously awkward acting, and even worse rapping.

By contrast, Malibu's Most Wanted is about B-Rad, another aspiring white rapper and the son of a politician running to be Governor of California. The politician's campaign staff decide that B-Rad is a political liability and hire two black actors to kidnap him, take him to the ghetto, and "scare the blackness" out of him. Hilarity ensues.

One of the main elements that separates these films is the effectiveness of characterization. Whiteboys presents Flip as a one-dimensional rapper, and his crew displays little depth either. The film hints at family drama as being a source for Flip's identification with gangsta rap, but there's a much stronger implication (beaten into the viewer by heavy-handed monologues) that this is merely a search for identity in which every teen in this small town in Iowa sips 40oz, smokes blunts, and wears absurd amounts of FUBU. This film felt like a cruel mockery of the white boys, the drug dealers, the actual rappers (including a bizarre appearance by the elusive Slick Rick and cameos from Fat Joe, Snoop Dogg, and a painfully-used Dead Prez), and the audience's intelligence. While presenting stereotypes of gangsta rap, it leaned on every cinematic cliche imaginable - in the script, in the plot, on the screen... everything felt like a caricature of real people and emotion.

While Malibu's Most Wanted suffers a similar one-dimensionality, at least this film displays some nuance in its racial characterizations. While featuring the "black-but-not-really" actors who prepare for their kidnapping assignment by listening to Tupac (to understand their character's motivation) and reading urban slang dictionaries, this film uses the overexaggerated quality of B-Rad's rapper personality in a charming way. The point of Malibu's Most Wanted is that B-Rad has become the *culture* of hip-hop, just without necessarily internalizing other people's perceptions of him. B-Rad displays a somewhat-historical awareness of black struggle (ironically asking his black maid at his mansion, "how long they gonna hold our people down"?). In contrast, the Whiteboys have no actual understanding of the community they are imitating, and the point of the film is that they are *imitating* hip-hop culture. This distinction is crucial because Malibu depicts hip-hop as a culture used to express identity, whereas the Whiteboys characterize it exclusively by gangsta motifs. B-Rad uses hip-hop as a language of expression (the only one he knows, apparently), whereas Flip buys the entire message of gangsterism, from violence to drug dealing. The essential difference here is that B-Rad knows exactly who he is (but is not accepted for it), and Flip doesn't know who he is, so he adopts the gangsta persona.

Also, B-Rad reminds me of Da'Ron on occasion.

I found Malibu's Most Wanted to be a hilarious movie that I could completely identify with, whereas I almost turned off Whiteboys halfway through because I found it misrepresenting hip-hop culture to such a painful degree. I understand that the point was the misrepresentation, but that didn't make it any more enjoyable to watch.

Keep it real - more soon!

Peace,
DJ Decryption

For Joe - January 25, 2009

A good friend of mine, Joe Martinez, has been telling me for months to update my blog. And he's right! It's been a disgracefully long time in blog-world. However, rather than doing the usual "what's-up-with-DJ-D", I thought I'd take a moment to talk about Joe.

We met back in our sophomore year at Wake Forest, when we were the only two new members inducted into Innuendo, the co-ed acappella group at Wake. We were both thrown into the acappella scene without much introduction, and we eventually found that we had a shared love of improvised jam sessions (Joe is a phenomenal singer and guitarist). Many nights after Innuendo practice, we'd stay in the rehearsal room and bang out hip-hop and R&B medleys on the piano... throwing everything from Jay-Z, Fat Joe, Clipse, Atmosphere, and R. Kelly into medleys with Third Eye Blind, Oasis, Matisyahu, and John Mayer songs. We had both done a fair amount of traveling and had lived overseas, so there was a certain shared global perspective to our worldviews which I found very comforting and engaging in the occasionally insular world of Work Forest.

The summer after graduation, I was working on my album "Soulfire", which I envisioned being the politically fiery raps of Immortal Technique combined with the great harmonies of Pretty Ricky. I asked Joe and our mutual friend Jewelz to make the album, and they graciously agreed. We proceeded to have weeks of wonderful recording sessions (fueled mostly by grapes and floor fans, as the recording studio regularly reached 80+ degrees). Those were some of the best memories... random dance parties, little sleep, and a lot of laughing.

Since then, Joe enrolled in photography school, where he has been creating the most beautiful photos I have ever seen (check out http://www.joemartinezphotography.com or http://www.flickr.com/joemartinezphotography ). He just graduated and hopped on a flight to spend a couple of weeks in Europe, touring historic sites and taking beautiful pictures. It was the first extended amount of time we had gotten to spend together in many years, and I am so thankful that he made the trip.

I guess I just want to relate how real, honest, talented, passionate, caring, and intelligent Joe is. In every interaction I've ever seen, he is the most genuine person with everyone he meets, and his ability to make people feel special and valued is unparalleled. Aside from being an amazingly gifted photographer, singer, and guitarist, he is an incredible human being. So yeah... that's Joe. :-)

In closing, here's some musical Joe for you to enjoy (for more, check out http://www.youtube.com/djdecrypt ).


Peace,
DJ Decryption

October Arrives - October 5, 2008

Greetings Kinfolk!

My many apologies for the extreme delay in blog posting! Perhaps some substance will make amends...

First off, some major Ana Free excitement since the last post. Ana has been involved with a national campaign with Zon NetCabo in Portugal, the "Making of" which is here:


"In My Place" has been #1 on iTunes Portugal for the past 3 weeks, and it currently holds the #3 position on Portuguese Top 40 radio, so we're very excited about that! A huge shout-out and thanks to all of Ana's supporters who made this possible... none of this would be happening without your dedication to Ana and her music. We are truly humbled and grateful to be a part of this, and we're going to be able to keep making great music with your help!

On that note, I can finally give some more details about the projects in the works! The first is an acoustic album, with many of Ana's most popular YouTube songs appearing on it (all originals), along with a couple of new songs too! The second is the more produced album (like "In My Place"), which is currently about halfway done. We're psyched about both of these, since they give different perspectives on Ana's artistry and show her love for a variety of playing styles. Ana will be touring in Europe and the US over the next year - doing both acoustic and band shows - so you'll get to check out both vibes if you'll be around! (You can sign up for the mailing list at www.myspace.com/anafreemusic to hear about new releases, concerts, random hilarious things that Ana is thinking about, etc.)

Other things... for the most comprehensive Ana Free news and updates, I highly recommend (and so do 9 out of 10 dentists!) www.anafree.de - Alex (who runs the site) is one of the coolest people we've met... he flew from GERMANY to attend Ana's last concert in Lisbon. We got a chance to hang out with Alex, and we can honestly say that he is one of the kindest, most considerate people we have encountered during our time in this musical world. I'll leave it at that for now, but just know that I'm a major fan of Ana's fans. They blow my mind every day...

Speaking of which, big shout-out to Claudia and her brother who flew in from the Netherlands, Rodrigo and João from Porto, and all the other AF crew who made some significant trips to come to Music Box. The gig was awesome too... here are a couple of fun moments with Ana and myself (courtesy of Mica):


I had a blast at this concert - so much great energy in the room... especially when Keep On Walking exploded!

PhD and the Global Youth Conference are rolling along as well! Just finished my theory chapter on postcolonial hip-hop identities and the commodification of global youth culture, which was enjoyable. I had a chance to meet up with Marta from the Youth Press Portugal in Lisbon, and we have some plans in the works for a global youth extravaganza - hopefully more on that soon!

Speaking of which, it's about time to get back to the academic realm before sleeping tonight, so...

I'll leave you with a graphical representation of the lyrics of Soulfire (the companion volume, which also includes essays), with the size of the word reflecting the frequency of use (wordle.net)
Soulfire Graphical Depiction
Some observations:
1. I've written extensively on the role of analogy in hip-hop, so it isn't surprising that the word "Like" would be the most used word in this project. Similes are the bedrock of rap's creative enterprise, and these connections are the innovative sparks that make poetic lyrics so evocative and engaging.

2. I am surprised by the prevalence of the word "rap" in Soulfire, since one of the explicit purposes of the album was to avoid extensive self-reflexive discussions about hip-hop. I suspect that much of this usage is from the introduction and essays, since I referenced the medium more frequently there.

3. "Time" is a highly appropriate word for this project, since everything from the artwork of the companion volume (featuring allusions to James Joyce's Ulysses) to the song structure (aligning biographically and thematically) are based on temporal progression or stagnation, as the case may be. The eternal present, the questioning of history and revolution, the meditations on art and relationships... these all revolve around our ephemeral presence on this mortal coil.

4. The most unexpected word? "Never" - I must have been quite adamant throughout the album, although I don't recall using such certain language all the time! This probably comes in part from the end of "I'm Not Gangsta, But Yo Mama Is", where I say, "I will never give up; I will never give in / I will fight by your side until both our lives end", but there are clearly other places as well.

5. Yo. Nuff said.

Thanks y'all - peace and love!
~DJ Decryption

P.S. Shout-out to Joe Focus for wamp wampin' art school!

Music Box and Rebel Cell - July 28, 2008

Greetings Kinfolk,

Another marathon stretch of excitement for July! Ana Free's first single "In My Place" went into rotation on the major Portuguese radio networks, which is very exciting. Ana's first concert of the summer was a big success (sold-out the venue), and I'm looking forward to performing a bit of piano and beatbox with her on Sept. 12th at the Music Box in Lisbon, Portugal (www.myspace.com/anafreemusic for details). We've also been plugging away at the debut album here in the studio - it's coming along very nicely. Based on the overwhelmingly positive feedback from "In My Place", I think people are really going to enjoy the direction of the album.

Here's the latest AF video for you... a nice and mellow Ben Harper number:

In other news, global youth conference planning has been flying along - the first round of invitations went out, and we're very pleased with the response... it's looking like an all-star cast for October 2009! For those of you just tuning in, this is a half academic / half performative conference on representations of global youth culture that will be featuring scholars, activists, poets, spoken word artists, and rappers. We'll be announcing names once we shore up funding. :-)

PhD writing has been going well... I'm doing the theory chapter right now. A critique of subcultures, scenes, and neotribes alongside an analysis of consumer capitalism and postmodern aesthetics - it's a party!

Speaking of capitalism and subcultures, I went to see Baba Brinkman and Dizraeli perform "The Rebel Cell" in London last week. Imagine 8 Mile meets 1984... an hour of theater featuring non-stop rhyming (even in quiet conversation) about political philosophy, hip-hop, art, capitalism... everything. Baba and Dizraeli are actually fantastic actors as well, so the theatrical performance was as strong as the rapping. And it's hilarious - during some scenes it was all I could do to stay in my seat from laughing so hard. They've posted the album version of the show for free on Baba's website, so you can download it to get a flavor at www.babasword.com - not gonna lie though, the show adds a component that really completes the piece. If you're around Edinburgh, they're performing the Rebel Cell for the next month at the Fringe Festival - check it out!

Finally, a quick report on my father's book launch for the Seamus Heaney bibliography that he just completed after more than a decade of work on it. The launch was phenomenal - Faber and Faber (the publishers) did an amazing job setting everything up, and Seamus was incredibly generous and kind in his remarks about my father's book and life. I also got to catch up with some family friends whom I hadn't seen since we lived in Ireland in 1993, so that was awesome too. Plus my mom flew over - so it was basically one big reunion in Dublin. And I may have done a little rapping and beatboxing for the Duchess of Abercorn as well... :-)

Lightning is striking, so I'm going to shut everything down over here... nothing like one fried computer to change your perspective on unplugging everything during a storm...

Hope you're all having a great summer!

Peace,
DJ Decryption

Knees and Nose - June 26, 2008

Kinfolk across the land!

What's good in the hood? Rather than the standard update, I thought I'd do a brief summary and then reflect on some recent musical and literary discoveries.

First off, a big birthday shout out to Ana Free, and even bigger props for her receiving a first (distinction) on her dissertation and Economics degree! That's one smart singer you're watching on Youtube :-)

Ana's first concert of the summer is coming up on July 2nd, so if you're around Portugal in July, check it out: http://www.facebook.com/photo.php?pid=974874&id=24002876072&ref=mf
Aside from that excitement, I've been doing a bit of recording with dark existential rapper Enigman, who's been writing some pretty nihilistic deathrap poetry. More Ana Free and Drumline tracks are in the pipeline as well...

I have to give props to an amazing hip-hop group from Seattle, Common Market. Their new EP "Black Patch Market" is phenomenal. RA Scion (the MC) and DJ Sabzi (from Blue Scholars) are an incredible duo. I think RA Scion occasionally surpasses Geologic of Blue Scholars in terms of delivery and complexity of lyrical content. This EP is the best hip-hop project I've heard in a couple of years... RA Scion has an ability to bring his historical background into focus with greater theoretical coherence. For example, in the song "His Eminence" about family struggles of death and desertion, RA Scion raps, "The true test of how strong the bond's tied / comes right around the time the patriarch dies." Such a classic formulation in the context of a personal narrative. Brilliant. The beats are blazing as well... I've always enjoyed Sabzi's production, but he really shines on this album. Some great old soul samples turn into real bangers, especially on "Black Patch War" and "Watership Down." Pick this one up on Amazon MP3... it's definitely worth it.

I've also been addicted to the song "Leap Year" by Maria Taylor... I've played it 67 times in the last two days, according to iTunes. I'm not a huge fan of the rest of her album, but this track is so beautiful. It's Postal Service-meets-Sarah McLachlan, in the best way possible. Lyrically, the album 11:11 is very nice, even though the music doesn't rock my world. I appreciate clever lyrics - more irony please!

Finally on a postcolonial note, I've been reading Midnight's Children (hence the title of this blog post). Rushdie does a great job with the overall composition, although self-conscious narratives can be a bit overbearing at times. Regardless, it's heralded as one of the best postcolonial novels ever, so I'd be remiss not to recommend it. Personally I've been into more hip-hop fiction recently, like the brilliant Angry Black White Boy by Adam Mansbach. This book and Londonstani are at the top of my Best of Contemporary Fiction list. If you're familiar with hip-hop culture (and British youth culture for Londonstani), I can't recommend these books highly enough.

Speaking of which, a big congratulations to my father on the release of his new book, Seamus Heaney: A Bibliography, 1959-2003! It's been over a decade in the making, and the final product is amazing. It's the most comprehensive reference guide on Heaney in existence (and I'm not just saying that because I spent much of my youth documenting Heaney's newspaper and journal articles). I'll be attending the book launch with my father in Dublin next week - should be a lot of fun.

I hope you're all rocking out this summer, and I'll look forward to catching up more soon!

Peace,
DJ Decryption

In My Place - June 9, 2008

In My Place - Ana Free (produced by DJ Decryption)
Now Available On iTunes!

Greetings Kinfolk!

It has been many moons since the last update, but I am happy to report that the hiatus is mainly because of massive activity. The first Ana Free single, "In My Place" has arrived, and is available on iTunes, Amazon MP3 downloads, and many other digital distributors. This is a great preview of her upcoming album, so I hope you enjoy it! Ana also has a new website where you can hear and download some of her acoustic home recordings as well as studio tracks: http://www.myspace.com/anafreemusic
In other news, I've moved into a new house and recording studio, which has been amazing. Ana and I gave the studio a test run this week, and the acoustics sound great. It's so nice to have a kitchen to myself (not that sharing my previous kitchen with 15 people wasn't fun). I've actually been cooking meals now! Whoa! (Katie D., control your excitement).

In academic news, PhD work has been coming along well. Lots of writing on post-subcultural studies and neotribalism. It looks like the first chapter for my PhD upgrade will be a theory chapter, which will be helpful since my advisor and the research chair are masters of theory. I've also been conducting interviews with Genesis Elijah and UK music industry players, and I've been setting up collaborations for the compilation album that will accompany the PhD. I'll hopefully be able to post some demos as they progress throughout the year.

On the Global Youth Culture conference front, we've decided to link it with the Canterbury Festival for 2009, which will be great for tying the performative aspect to the academic component of the conference.

The final update regards the Minster College Beatboxers, an amazing group of high school students with whom I did a hip-hop workshop and recorded a CD. This group of students learned basic music theory, vocal percussion, rapping, and performance technique all in one morning... and finished recording their own CD in the afternoon. The day was capped by a beatbox performance for the headmaster and another class of students. The focus, skill, and motivation that the students displayed was unbelievable. I hope that I'll be able to continue this program with them into the next academic year. Big up to tha Minster Massive!

Hope you're all having a pleasant summer, and I'll be looking forward to connecting back up in a couple of weeks!

Peace,
DJ Decryption

Pocketful of Sunshine - May 14, 2008

Alright Kinfolk, here's what's been going down.

First, I must say that having a week of sunshine improves everything in life. I've been running an hour every morning, and I generally feel fantastic. I always figured Seasonal Affective Disorder was just a general downer, not something that would change one's entire life. Only having emerged into the light do I actually see the difference. I feel the same way about returning to the US - I never realize how much I truly miss and appreciate the South until I'm back. Of course there are issues, but it's an environment where I really thrive. And I'm finding that sunshine makes the sunflower of my soul burst into full bloom. That's the end of that metaphor.

Anyway, exciting things this week: Had a delightful going-away dinner for the 2006 Marshall scholars. Ana Free's first single In My Place should be released in the next month, which is fantastic. I've been working on the album a lot recently, and I'm really happy with the direction it's going. Nelly Furtado's "Whoa Nelly" meets John Mayer... I'll hopefully be able to post some samples before too long! Ana's been on the study grind this month - final exams and dissertation - so we're cheering her on to a successful completion of her degree.

Sounds of the moment:

1. Forever - Chris Brown: A feel-good summer jam that just flows. Tasteful use of Autotune (the T-Pain effect). Beautiful chorus.

2. Picture Me Rollin - Chamillionaire: From "Mixtape Messiah 2" (which you can download for free from Cham's website), this song has one of those guitar hooks you love the second you hear it. I've played this song 70 times in the past 3 days according to iTunes... it's a perfect track to put on repeat and get things done.

3. Ms. Music and Touch It - Illmaculate: Two time World Rap Champion Illmaculate drops some fire on the Raincheck Mixtape. Ms. Music has a classic soul hook, while Touch It finds Illmac and Al-One ripping up Busta Rhymes' track with an insane flow.

4. Disco Friends - Just Jack: Thanks to MC Frenzy for introducing me to this one... a great vocoder chorus and an overall chill track from this quirky British rapper.

5. Say - John Mayer: A mind-blowing hit single... it's got this epic cinematic ending that gives me chills every time.

That's it for me tonight - my mind is melting with all the postcolonial fiction on the agenda. I hope you all have a great week - catch you soon!

Peace,
DJ Decryption

One Shot - May 1, 2008

Greetings Kinfolk,

My many apologies encore une fois for the delay. It's been a mighty round of Ana Free production, PhD writing, and global youth conference organizing on this end.

Ana and I were talking the other day, and the Eminem line from "Lose Yourself" came to mind: "You only get one shot." Now, I would not consider Marshall Mathers to be one of our greatest contemporary philosophers, but he does capture something vitally real: this is it. This is our one shot on earth. Are we going to do what we love, or are we going to play it safe? It's much easier to play it safe. And sometimes, it's necessary. But at the end of the day, I'd rather look back and say I did what I loved regardless of whether it succeeded or not. Because I think we can define the act of trying as success in itself. If we redefine success not as monetary gain or status but by striving for that which we love, then we truly engage in a revolutionary act. We reject the millions of media messages that have flown at us over the course of our lives. Often paying lip service to individuality, to dreams, to creativity... only to package them as products. "You're a rebel - buy this shoe." "You're a dreamer - buy this accounting software." "You're a hero - drink this iced tea." How about, "You're an individual - blaze your own path." "Don't buy anything today - write a poem." "Tell someone in your life who matters why they're valuable."

In an age of commodification, a true expression of meaning takes on a new significance.

No Derrida jokes please.

On a less elevated level, I give you another improvised piano and beatbox jam that Joe Focus and I did in the winter. This one is a combination of Soulfire, Lupe Fiasco, and T-Pain... and sadly the camera cut out at the end. I hope you enjoy!

It's going to be another crazy week - best of luck to everyone with exams and final papers!

Peace,
DJ Decryption

Delayed - April 14, 2008

Greetings Kinfolk,

Many apologies on the delayed postage. It's been quite a hectic adventure back in the US. I returned to North Carolina to debut a song called "My Candlelight" at a friend's (Jewelz!) wedding with Joe (Focus) on the vocals. Sadly, Jewelz's mom prevented us from seeing our Soulja Boy remix of "My Candlelight" through to completion ("A romantic dance for two / I am one and two is YOUUUUUUUUUUUUU"). The wedding was beautiful though, and it was great to see the Wake contingent again. The song was also well received (lots of requests for sheet music), so three cheers for love and music!

On the music front, we've had another surprise hit with Ana Free's most recent cover, "Savin Me" by Nickelback:
Over 90,000 views in two weeks - that's movin!

We also launched an Ana Free merchandise store, which you can check out at http://www.cafepress.com/anafree We're working on arranging it a little better, but now people can finally get that AF mouse pad they keep asking for. We're working on alternative t-shirts including beloved phenomena such as ukeleles, tecktonik, midget wrestling, and T-Pain. Be sure to check in for all of these in the near future.

On the music front, we're gearing up for the release of the first single, "In My Place". It will be available through iTunes and all other major digital distribution channels. Upon our return to the UK, we'll be back in the studio with a vengeance. But not a vendetta. To quote a church sign I just saw, "He who angers you, controls you." We will not be controlled by Chris Matthews, no matter how obnoxiously he laughs.

I just made a couple of songs from Soulfire available for download, so feel free to check those out at http://www.djdecryption.com/music.html
I'll be running around doing a lot of business this week, so I'll probably check back in when I return to the UK next week. I hope you're all doing well (file dem taxes!) - will catch you shortly.

Oh, and if you want a brief amusing break, check out http://www.mzannetou.com/ Mike is a hilarious animator, and I did the music for one of his most recent animations:

On a final note, congratulations to a new Fulbright scholar who will be in Spain next year! ;-)

Peace,
DJ Decryption

Snowfall - March 23, 2008

A white day in Canterbury! At first I thought some strange creatures were migrating and attacking my house, but it turns out that the freezing temperatures had combined with a bit of humidity to create snow for Easter. How delightful!

On the Ana Free front, we're been buckling down on the academic side at the moment. Ana has been doing some interviews for her dissertation on the music industry, and it looks like it's going to be a fascinating paper.

I wanted to comment briefly on Barack Obama's speech on Race in America, "A More Perfect Union":
This has to be one of the most thoughtful and powerful speeches on US race relations that I've heard in my lifetime. Obama nails it - race matters, but it is not overdetermining. We have a long way to go, but we've already come so far. Obama speaks to the complex challenges of white and black concerns, and the real key to this speech is the call to empathy, to mutual understanding, to compassion. It's not enough to tolerate opposing viewpoints - it's time to embrace them. To understand what deep-seated fears lie at the bottom of the anger and the distrust. And then to address those concerns on the terms of the other person. I see this issue arise frequently with religious discussions. If one person isn't willing to enter the terms of the other person's belief system, no dialogue can occur. It is not enough to say, "well, I don't believe what you do, so let's just leave it." I want to know why people believe what they do... in the language they explain it to themselves. I want to hear their reasons and justifications, even if we begin from fundamentally different premises. Because only then do I truly begin to understand how people actually feel. Which helps me understand why people make the decisions they do. Because it's a simple jump from the emotional power of a belief system (any belief, not just religious) to the individual actions of a person. Especially when those actions are based in fear of another person. So I am thankful that Obama broached this subject, as controversial as it may be, because he accurately and fairly represents multiple perspectives in the US and tries to reconcile them to one another.

Hopefully internet will be functional again on Thursday - let's keep our fingers crossed.

Wishing you all a delightful week and looking forward to seeing some of my US kinfolk soon!

Peace,
DJ Decryption

Two Sense - March 16, 2008

Greetings Kinfolk,

Another exciting and crazy week here at homebase. I just gave a paper on Black British poetry anthologies at Goldsmiths College, and the overall reception was very positive. I also was able to meet some of the main editors and publishers of the anthologies and critical works that I've been using for research, which was wonderful. There are a lot of passionate, intelligent, and innovative people working in independent publishing right now... there's just not a lot of money. But that's why it has to be about the passion and the belief that it's important. Any desire for massive economic renumeration for contributions to the arts are likely to be thwarted these days, especially with government funding approaching new lows. But hey, we do it for da love. There were a number of cool panel sessions (including a great one on Black British theatre), and the general consensus seemed to be that progress is occurring, even as challenges to cultural diversity amass.

I've been PhD scribing this week, and it's back to that today (turning in a piece tomorrow). Still no internet - hopefully I'll have a chance to do a bigger update later this week. Onward with the great project my friends!

Cheers from Canterbury,
DJ Decryption

What Hip-Hop Has Taught Me - March 8, 2008

Greetings Kinfolk,

I have a crazy week of PhD writing mania coming up, so I'm going to drop a few thoughts and get back to the writing.

After talking with Alex from anafree.de about my Freestyle Rap Tutorial post, I realized that I learned a lot of good lessons from hip-hop. Some of them are probably more widely applicable than others, but nevertheless, here's a brief start - I'll probably expand this list over time.

1. Do not judge people by what they look like. Or even what they say.

In freestyle battles over the past 7 years, I have heard some of the most unbelievably offensive material imaginable. But the people saying it are often doing it out of ego-projection or seeking a shock response. They have a deeply ingrained sense of morality, even when it comes to hip-hop. For example, some of the most gangsta rappers have been the most courteous about respecting their opponent, not interrupting them when rapping, etc. Of course, you get plenty of unpleasant individuals who harass and annoy everyone, but that's life. Just because someone looks like a thug doesn't mean they are a thug.

2. Many people who don't look like thugs are thugs.

Any reading beyond a superficial glance at the news will reveal an incredible amount of corruption, violence, deceit, and cruelty in the world. Even a brief look will tell you that, but once you start learning the specifics, the truly horrific nature of our existence becomes evident. The exploitation of the music industry looks positively generous compared to labor abuses, slavery, corporate malfeasance, and political violence across the globe. I think we're often insulated in the US (and most of Europe) from the realities of the rest of the world. Bribery? Common occurrence in many countries. Domestic violence? Accepted practice as well. It's hard out there for a decent human being, and many people who seem pleasant do not always have your best interest at heart. Talk to anyone who's been offered passage to the US only to be trapped in indentured servitude, or anyone who's been ripped off in an insurance scam, or any artist who has had a record label enthusiastically endorse them and then 6 months later not return their calls... while the label still recoups from the artist's album.

3. Labels are unstable and only mildly useful.

What is hip-hop? What do "rappers" do/want/think? The answer is so varied... it's like asking what "fiction authors" do/want/think. (I consider the two questions to be almost identical, by the way). Hip-hop has developed as many branches as literature (with a slightly larger emphasis on asserting how dope you are). To attempt to restrict the significance or variety of the artwork is ludicrous at this point. Since hip-hop has become a global phenomenon, you almost have to specify language, nationality, region, etc. as well as stylistic elements (pop rap, crunk, lit-hop, etc.) now. Even then, for example, you have a massive French hip-hop scene that contains wack Celtic rappers (Manau), Moroccan dirty south rappers (La Fouine), hip-hop literary critics (MC Solaar), and even terrible hip-hop/R&B boybands (Tragedie).

You can also interpret the wording of this lesson title in another way... I think that one speaks for itself.

4. Capitalism eats everything.

No matter how revolutionary, anti-corporate, or alternative you might be, someone will figure out a way to make money off of it. I think most people have accepted this by now, and the best way to deal with it seems to be to accept the fact that money is not evil. It is a resource, like time, energy, or Goldfish, and we can use it as such... to do both constructive and harmful things. You should see the anguish I can wreak with a box of Goldish...

Okay, that's a vastly oversimplified view of capitalism's role in commodifying everything, but this is a blog post, not a dissertation. :-) The medium shapes the the message...

And on that note, I leave you with this installment! Off to PhD for a week - have a good one friends!

Peace,
DJ Decryption

Freestyle Rap Tutorial - March 2, 2008

Greetings Kinfolk,

The internet is still down chez Blake, so it's back to alternative options for the time being. On to more interesting things...

Big props to my boi Da'Ron for hitting up Wake Law School for the next three years - he'll be stackin' that changle shortly. The new single is almost mixed - look out for more Da'Ron / Focus / Decrypt in your life shortly.

In more Ana Free news, we've been doing major songwriting sessions recently - I've been working on a new track called Keep On Walking that we've almost finished. The composition process is fascinating... I can go for 6 months without writing a single lyric and then compose 4 full songs in a night. I suppose that the creative energy builds up and emerges in one massive productive session. The Greeks would say something about my daemonian and how the inner spirit must move us to create. I actually feel that's more accurate when it comes to freestyle rap. When I'm really on fire, it just flows through me without any intellectual effort. Channeling the inner power is a unique experience, and it's been nice to freestyle more recently... it makes me feel more energetic and alive. People often ask how to freestyle, and I tell them that it's 50% practice, 50% inspiration. Listening to hip-hop and reading poetry are great ways to attune your mind to rhythm and rhyme. Then, the practice of continuous rhyming everywhere and about everything is the next step. It will inevitably start simply (and probably be mildly non-sensical): "I'm walking through the door / I'm stepping on the floor / I'm going to the store / But won't buy things cause I'm poor."

Those first rhymes are so important though, because you become accustomed to letting it flow. The flow is the key to freestyle - if you overthink it, you'll stumble or be too self-conscious to let the rhymes come out. That's why early freestyle is really just about overcoming self-consciousness and embarrassment. You have to allow yourself to make mistakes, to be off-beat and to be irreverent. Once you get a feel for basic rhyming, you can start making more complex structures - internal rhymes, multisyllable rhymes, wordplay, etc. The best way to do it is to listen to a lot of rappers you enjoy and imitate them. Even do their raps along with them. The key is to become familiar with their cadences and rhyme schemes. Then, you can start to create your own variations. I think commercial rap can be very useful in this regard. The rhymes and subject matter are often basic, but the swagger of the delivery is often a great starting point to get your flow on point.

Anyway, that's a starting point - if you have any more specific questions, feel free to ask them in the Guestbook, and I'll respond to them in the next post.

The original title of this post was "The System Is Down" in reference to on-going internet difficulties, but as we're conquering it, I've changed it to reflect function over form. The medium will not trump the message!

Anyway, here's hoping to be reconnected soon - in the meantime, have a great week everyone!

Peace,
DJ Decryption

Freedom Songs - February 24, 2008

Greetings Kinfolk,

Many updates on many fronts! I've solved my internet problem by embracing privitization and capitalism... should be ready to rock by the weekend. It's been amazing how much I've had to rearrange my life without domestic internet... it really makes me realize how dependent I've become on the net for communication, business, family and friend bonding, etc. I got a BlackBerry to help in the interim, but there's just so much (Skype, PhD research, music production tranfers, etc.) for which I need a standard connection. Good learning experience all around!

On the Ana Free front, it's been quite a busy week. We've been working on a brand new song, "Playgrounds and Kisses", and I love this track. It's a piano summertime jam that really swings all the way through. By the time the first demo was fully done, I was literally disco dancing around the studio like a John Travolta impersonator. Finger pointing and all. No tight leather pants though - some things must change after a few decades (for the better, in this case).

We've been working hardchord on Ana's official website, and Ana just setup a Facebook page - you can check it out: http://www.facebook.com/pages/Ana-Free/24002876072
Ana also recorded a great new YouTube video for her song "I Got Away." We did several versions with epic strings on it, but sadly the camera mic doesn't do "epic" very well. That's alright... you can still hear a little of it in the background. The song itself is phenomenal though:

On the DJ Decryption front, Da'Ron, Focus, and I recorded a new track "Frequent Flyer" over a Dre Ramone - Drumline beat, and it's nearing completion at the moment. First Soulfire reunion in a while! The official Decrypt logos will be here soon, and plans are underway for a new DJ Decryption album at some point down the line. I've been writing a fair amount recently and have a few beats ready for a new album. The lyrical direction for this one is turning a little more introspective (like "Location of the Rapper") and deep (like "Open Curtain"). I also have a few fiery raps that may or may not make it onto the album - they definitely have a blazing postcolonial edge to them.

Speaking of which, the PhD has been a bit slow this week. I've been doing some background reading on Anthony Burgess for the Clockwork Orange connection, but mainly I've been re-evaluating the whole debate about authenticity. The more I think about it, the less sense it makes. Ultimately, the individual configurations that make up humanity are so specific and variable that trying to apply any kind of ethnic determinisim seems crazy. At the same time, I recognize that groups have historically been (and continue to be) marginalized due to lack of adequate representation. The problems of representation don't dismiss the need for it. I think the distinction between political representation and individual representation needs to be clarified, but sometimes it's so easy to abstract it out to the point where it all seems inapplicable in our own lives. People must have advocates for their interests without simultaneously being limited to those interests. It requires a lot of perspective and active contemplation, which is probably why it's so difficult. It's much easier to say "Union worker - they think/do this" without recognizing that someone's job, ethnicity, nationality, gender, etc. is just one part of their being. We'll keep trying to remain patient and reflective... it's the only way lasting positive change has ever happened.

And on that philosophical note, I shall leave you for tonight. Take care friends near and far - you're much missed!

Peace,
DJ Decryption

Productivity - February 18, 2008

Greetings Kinfolk,

Your boi is back! I had a great trip to Paris - doing some research, connecting with old friends, revisiting my disdain for modern art, etc. My addiction to French rap has lessened somewhat over the years... mainly because I still have a backlog from the last scorched-earth used-CD store run on Paris (at stores appropriately named O'CD). I did manage to do some freestyling for a lovely group of international compatriots (big shout-out to my Moroccan kinfolk - we run tha BLOCK).

In Ana Free news, we've been back in the studio! We wrote a killer track yesterday (and by "killer" I mean pleasant and happy, of course), and I can't wait for it to be released to the world shortly. We should have some release dates coming your way soon, so thanks for your patience!

On the Team Business / Drumline front, Dre Ramone and I have been building a library of hip-hop, R&B, and pop beats - and they've been selling as soon as they're made. So for heaven's sake, if you want a beat, let us know ahead of time, cause these aren't sticking around for very long these days!

I'm still sadly without internet, so I'm writing you from the University. I just found out that I received funding for the next year of my PhD, which was delightful news. I've been writing on Gautam Malkani's Londonstani and relating it to A Clockwork Orange, which is proving to be a very fruitful reading. Still in the planning stages with the global youth conference, and we've had some great responses from potential presenters and speakers.

I've actually been in the studio for the past 10 hours, and it's been 12 hours since I've eaten, so I'm afraid I'm going to have to run before I collapse into a pile of Blake-lacking-foodness. I appreciate the support of Katie a.k.a. Sunny D in my quest to eat two meals per day.

I hope you're all well, and I'm looking forward to catching up more once the net connection is re-instated!

Peace,
DJ Decryption

Sweet Home Obamarama - February 9, 2008

Greetings kinfolk! The internet is still out (and will be for another two weeks *cringe*), but I'm looking at this development as an opportunity to do more productive work *grin*. In the meantime, I'm back in touch with the world via a new BlackBerry and telepathy, both of which have proven very useful in communicating with other beings.

Ana Free and I were invited to perform with legendary funk band Parker Brown last night at the University of Kent, and we had a blast. I'm hoping that the footage came out well enough to post. Ana and I teamed up on "I Feel Good" by James Brown, and there was a reprise of the Sweet Home Alabama rap. Ana killed it on "Run" (Snow Patrol), "Spooky" (Dusty Springfield), "Waiting on the World to Change" (John Mayer), and "Feeling Good" (David Burns) as well. There was also a small breakdancing and beatboxing interlude. No pedestrians were injured.

Things are moving along with the Ana Free album project. We've been working on several songs per day and will hopefully have some projected release dates for you soon once we sort out the mixing and mastering details. Ana will also be performing some more solo gigs in Canterbury in the near future, so we'll keep you posted on those too!

As far as the rest of life goes, everything is cool. Making significant progress on the PhD, setting up this conference on global youth culture, and generally having a blast.

Quick poetry reading review: An awesome British (Scottish) poet named Jackie Kay gave a reading at the University of Kent last Tuesday, and it was spellbinding. She is warm, hilarious, clever, and altogether a wonderful human being. Personal anecdotes laced her presentation, and she shared some of the ironic (and sometimes frustrating) experiences of growing up in a host of categories that didn't always mesh seamlessly with some of the more "traditional" Brits. I asked her about her poetic position and whether she felt that she was part of a literary movement, be it "Black British" or others. Her response was that she would definitely affirm that she was "Scottish", "black", "lesbian", etc., but she said that she felt the categories were often too limited and overdetermined. She joked that she would like to see more poets referred to as "white heterosexual males". I think that might be the title of my next album. White Heterosexual Male.

Now that's gangsta.

Anyway, her poetry was excellent too, and it's always good to know that I'm on the right track with my PhD ideas. Jackie expressed interest in presenting at the global youth conference, which would be awesome. Here's hoping she'll be back soon!

To wrap up, I'll leave you with a touching moment courtesy of YouTube. A cynical conservative is interviewing Obama supporters and challenging them on the current media narrative that Obama supporters are "too emotional" or have "cult-like obsession" and an absence of rational thought. Here's a brilliant example of a young voter who gives an completely unemotional analysis of his support for Obama - I love this exchange. Hope you enjoy!


Catch you soon folks!

Peace,
DJ Decryption

Tech Game - February 4, 2008

Greetings Kinfolk,

My internet has been down all week, and thus I am giving a brief update from the university. A full posting will come shortly!

In a bit of fun news, yesterday I had a chance to speak on the phone with Alex, who runs Ana's main fansite www.anafree.de . He's a fantastic guy who has done some amazing work on the site. Alex continuously compiles news stories, video and musical tributes, fan creations, and a host of other goodies related to Ana. Definitely check out the site when you get a chance - he updates on a regular basis (when he's not traveling the world)!

You'll note that Ana's newest video features a little Ana Free - DJ Decryption jam at the end... it was one of those random "hey, aren't the chords to John Mayer's song about positive social change the same as Marvin Gaye's tribute to lovesickness and its necessary remedy?" moments. I liked the personal-political musical connection... Adrienne Rich would be proud.

Hopefully the internet will return shortly and cure us all of our web-withdrawl symptoms. In the meantime, have a great week friends and keep that Soulfire alive!

Peace,
DJ Decryption

Talkin' bout some resolutions - January 28, 2008

Alright folks, accountability time. Let's see how well the resolutions have been going:

1. Blog regularly.
- I'm here, now watch me crank dat soulja boy.

2. Divide work / play better.
- I've managed to see several good friends in the past week, and I've been taking some mental time for myself. Consider it done!

3. Eat 2 meals per day.
- Oh yeah, I've got this baby on lock. Plus, I've been occasionally eating breakfast! Hooray!

4. Make more lists.
- I'm definitely continuing in the great tradition of those brave itemizing souls who have come before me.

Alright, now onto some real updates. Ana Free and I had a great studio session today. Worked on some planning for 2008 - it's going to be a great year. The album is well underway, and we're setting up concerts, websites, etc. as well. I'll let you know as more specifics become available. Ana is finished her Economics degree at the moment (and doing a very cool dissertation on the theory of "the firm" and the evolution of the music industry).

Speaking of academic work, the PhD is going great. I'm reading a fantastic book called Londonstani by Gautam Malkani about 2nd generation Indian youth culture in London, and I think it's going to form a large part of my first chapter. It's closely aligned with my main research interests - postcolonial lit, hip-hop, and the commodification of global youth culture. There's already been a 50 Cent reference - always a good sign.

I'm also beginning planning for a massive academic conference on Representations of Global Youth Culture. I'm currently working on securing funding and talking to potential presenters - more news as the project develops.

Music I've been enjoying recently: Ani DiFranco (she's such a good songwriter, and I really love her percussive guitar playing) and the Indigo Girls (reminds me of a simpler time, plus the harmonies are so beautiful).

Congrats to Drumline producer Dre Ramone on signing an international publishing deal with pigFactory! Ya boi makes it clap!

Also, Da'Ron and I recorded a hot new track over a Drumline beat. The song is called "Frequent Flyer", and it's an extended metaphor in the great tradition of John Donne. Plus a guest appearance by Joe Focus on the chorus... MONSTAAAAAAAAH.

2008 is looking like a great year. Let's get it fam.

Peace,
DJ Decryption

Welcome to the Future - January 21, 2008

Greetings Kinfolk,

It's been a whirlwind tour back in the US, and I do have a few New Year's Resolutions / Projects that I'm bringing back with me to England.

1. Update this blog every Monday night at 11:30pm.
Explanation: Consistency is crucial, and I want to prioritize this thing for you, the readers who are kind enough to check in on a regular basis.

2. Try to separate my days better.
Explanation: The problem with having self-managed projects is that they literally consume your entire life. There are no boundaries in your life - why shouldn't you be working on studio tracks for 8 hours and then come home and work on PhD for another 5 hours? I'm trying to stop working at some point and take some time for myself (and clearly I'm failing as I write this post at 2am). However, I must point out that the great joy of this "problem" is that I love what I'm doing so much that I want to do it all the time. The flipside of course is that it's not the most healthy course of action. I think I had a peanut butter and jelly sandwich at 5pm today. Which brings me to...

3. Eat at least two real meals a day.
Explanation: I'm clearly not going so well on this one either. As a corollary to Resolution #2, I enjoy what I'm doing so much that I don't want to stop doing it to eat. Unfortunately, the UK lacks several crucial components that made this practice less problematic in the US. These missing American ingredients are (1) Goldfish, (2) Skippy Peanut Butter & Welchs Grape Jelly, (3) Bryers Vanilla & Fudge Twirl Ice Cream, and (4) food that stays fresh more than 3 days due to the unhealthy amount of preservatives in it. With those components missing, I find my culinary habits here to be non-existent. I haven't turned on the stove since a friend visited in the spring of 07 and made some pasta. Which means I have actually never turned on my stove of my own free will. That's not a good thing.

4. Make more lists.
Explanation. I love lists. Can you tell from this blog post? I find the joy of crossing off completed activities to be as rewarding as accomplishing the task itself. Plus, when I move all the free-floating information from the RAM of my brain onto the page, my stress level goes down immensely. I don't have to constantly say, "who was I supposed to battle rap next week at 4pm in the library?" I just check my list and say, "Oh! Of course! Dolores, your days of shelving in the stacks are numbered."

5. Git 'er done!
Explanation: Completed.

I'll leave you with a little improvised jam session that Focus and I did in the HKY over the winter break. We just sit at the piano and play off whatever the other person devises. So here's a Lil' Wayne - Soulja Boy - Hurricane Chris - DJ Khaled - piano remix by DJ Decryption and Focus.


See you next Monday!

Peace,
DJ Decryption
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